Say Goodbye to Karan Johar movies forever

Until now I detested the lavishness and melodrama that Karan Johar dished out in his previous movies like KKHH & K3G and now I hated his immature and illogical take on the extra marital relationships. If  KJ wanted to move away from mush and push the envelope a bit further by exploring the extra marital relationships then he should have concentrated on plausible causes & reasoning to validate extra marital relationships and infidelity. He has failed to put any plausibility either in the arguments of the characters involved in the illegitimate relationships or in their sufferings nor there is any logic given initiation of such relationships. KJ doesn’t have any artistic & philosophical inclinations nor the maturity to explore such sensitive issues.  KANK is a brainless movie made by KJ in the name of boldness and progressiveness.
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Dev Saran (Shah Rukh Khan) is a footballer who resents his successful wife Rhea Saran (Preity Zinta) Rishi (Abhishek Bachchan) owns a PR firm and makes every effort to please his ever cribbing wife, Maya (Rani Mukerji). KANK is the story of these two couples whose marriage is on the rocks.  

The movie stands crooked under a weak platform filled with flawed script, poor characterizations, poor logic, pathetic justifications and ordinary performances.

If only the characters had taken efforts and pains to salvage their relationships instead of wasting their time in finding love outside their marriage then the characters would have lived happily. But not for Karan Johar. He wants his characters to indulge in extramarital relationship under flimsy and childish excuses. SRK is incessantly pissed off and makes no effort to save his marriage. One fails to understand as to why a happily married Rani Mukherjee has an affair with SRK considering that her husband has been shown as loving, caring and understanding. What more should a wife want from her husband. Why should career women (Preity Zinta) be shown only as heartless and ruthless and their husbands (SRK) as jealous MCPs. Due to poor characterizations, the audience does not feel for any characters except Abhishek Bachchan.

The opening sequence itself, where Rani speaks to a stranger (SRK) about her reservations about her marriage to a wrong person and then heeds SRKs advise of getting married to Abhishek, makes it clear that the movie will move into a deep mess. How can a modern girl staying in USA behave in this strange manner and not take a stand against the marriage considering that she has no hesitation in entering an extra-marital affair with SRK. casques moto enfants

The reasons for the couples’ incompatibility seem very frivolous and are shown in a very forced manner. It is not made clear why Rani is not happy with Abhishek and what she wants from him. He loves her, is ready to discuss with her, wants her to enjoy with him, tries to satisfy her sexually and bears every tantrum of hers. Why would anyone be dissatisfied with such a good husband. Ironically, after all this it is Rani who goes on looking for love outside her marriage when it should have been Abhishek doing that. And what does SRK do that makes Rani fall in love with her. Nothing. On the other hand SRK is frustrated because his wife keeps the kitchen fire burning and hence thinks she is not right for her. Thus, according to KJ a wife should get out of the marriage on frivolous grounds and husbands should ask their wives to become housewives. The film also suggests that couples should not try to salvage their marriage but instead should leave their children and go in search of love.

The characters of SRK and Rani are made to crib all the time for no apparent reason and are never shown making any attempts to salvage their marriages. And when matters go out of hand, the characters of Abhishek and Preity are made to insult and reprimand their spouses thus trying to make the audience sympathize with SRK and Rani and make Abhishek and Preity look stubborn and rude. The audience does not buy this logic and fails to sympathise with the characters of SRK and Rani. Karan Johar wants to send out a message that people who have time and money in hand are free to look out for love outside marriage on flimsy grounds.   maldives honeymoon packages, a trip of your.

What’s that stupid logic that only two persons who are going through rough times will understand each others woes. Rani and SRK decide to have friendship with each other so that they can meet and talk about how they can salvage their respective marriages. But why don’t they instead talk to their respective spouses and work out the matter amongst themselves. But then KJ wants SRK and Rani to meet on the pretext of solving their problems so that they can spend time together so that they can fall in love This looked very forced one. Moreover, after all that meetings and coffee sessions they don’t even implement whatever they have planned and discussed nor do they take efforts to change their behaviour towards their spouses. It’s only Abhishek and Preity who take any effort to compromise.

There are no scenes that shows love blossoming between SRK and Rani gradually. It’s all of a sudden and therefore the pre-interval scene where SRK professes his love for Rani fails to move and convince the audience.

If SRK and Rani had planned to terminate their illicit relationship then where was the need to confess to their spouses. KJ has clearly chickened out in the end. Its only after Abhishek and Preity’s  go ahead does Rani goes ahead and meet SRK. Shouldn’t SRK and Rani have got married to each other after their divorces if they had loved each other so much? Why should the guilt factor come in. And there is also a forced attempt to show Abhi and Preity as goody goody ones who forgives and permits Rani to marry SRK. The audience can see through this forced union. And SRK and Rani are also shown feeling guilty and even apologise for their act. After all this how can it be said that KJ has made a bold movie.

SRK’s incessant sermons on love does not make sense at all considering that he is shown cribbing all the time in the movie. The so-called funny scenes like SRK and Rani misunderstanding each other as Black beast and the scene where they think Abhi and Preity are having an affair do not even elicit a smile leave alone the laughs.

The scenes where Amitabh gives an emotional speech at the end of the Rock n roll song and his conversation with Rani in the hospital were good but in isolation and not contextually. How can the audience take Amitabh’s sermons on love seriously when he is shown sleeping with hookers everyday and flirting with women at the drop of the hat. Hey KJ, is it because AB did not value his wife’s love and could not keep her happy that he started sleeping around with hookers. Another good scene is where SRK jokingly confesses his love for Rani during a family dinner. The scene where SRK is standing at the signal with a bouquet and both Rani & Preity walking towards him is really tension filled.

Technical Crew

Story & Screenplay by Karan Johar and Shibhani Bhatija. The story stretches to eternity and the screenplay is filled with excessive melodrama and improbabilities thus failing to connect with the viewer at an emotional level..

Direction : Karan Johar is confused and makes efforts to justify adultery under false pretexts. He has made the movie look beautiful but without any content and logic

Editing. Sanjay Sankla seems to have gone to sleep making the audience yawn

Music by Shankar-Ehsaan-Loy is ordinary and only Mitwa stands out among the other crap numbers.

Cinematography is excellent

Dialogues by Niranjan Iyengar-  While some dialogues are effective - when Preity accuses SRK of being a failure in life, he responds by telling her that their relationship is a bigger failure, the other dialogues are purely pedestrian and clichéd for e.g  the dialogues in the opening sequence between SRK and Rani do not make any sense at all.

CAST

Abhishek as Rishi has done an excellent job. He has done in a small role what SRK could not do in a lead role. His angry outburst when Rani confesses about her affair with SRK is outstanding.

SRK as Dev Saran only hams, pouts, grimaces, and gives sermons on love that gets on your nerves. Neither the crowd loved him nor could identify with him. No seriousness in his acting.

Preity Zinta as Rhea Saran is good but nothing much to show by way of acting.

Rani Mukherjee as Maya Talwar This is Rani’s most irritating performance of her career.

Amitabh Bachchan as Samarjit Singh Talwar What was Amitabh doing in this movie. Its one thing to show Amitabh as a casanova and one thing to show him sleeping around with hookers everyday.Kirron Kher as Kamaljit Saran is irritating

AMJAD K. MARUF